As a socially-engaged performance artist, Jo uses immersive, experimental techniques to engage audiences and participants. Her work encourages a deeper connection and understanding of specific environments/heritage/aspects of ’ourselves’ in relation to our community and the natural world. Drawing from her experience of working in youth services and adult substance misuse services; Jo is interested in how we see and interact with a place and how this influences our relationship to it, our own identity and our relationship with others. As part of the re-seeing of spaces, she often uses projected images and interaction with them to create fleeting, manipulated forms.
She often fuses the use of organic materials or discarded objects with shadows/projection applying it to forms or movement within a specific space: the finding and preparing of these being an essential part of the process. Her work is predominantly site- specific; working in outdoor environments such as wild spaces, public spaces, urban wastelands, woodlands, coastal locations and festival sites. Jo has worked alongside 361Energy and artists/makers to develop ways of working with sustainably sourced, off- grid technology to enable her create work in outdoor, more challenging locations and to encourage others to consider using green energy solutions
Shadows and the interplay between light and dark also reference her interest in Jungian theory and the process of psychological transitions.
Also see ‘Process’
Image: research for Ode to the Ash Tree (managed by Courage Copse Creatives in association with Arts Council England. Collaboration with Chalkblack, Courage Copse Creatives and Shimnix film production).
As well as focusing on specific solo projects Jo works with youth projects, schools, multi-generational groups, women’s projects, mental health services, substance misuse services, home education groups and special needs projects.
Working predominantly in outdoor spaces such as woodlands, coastal locations, public spaces and festivals over the past four years; Jo often applies large-scale projections created using organic materials to form striking images with which the participants interact. She has adapted her processes to include sustainably sourced off-grid technology in order to take her participants out into the elements and wild spaces. Her work is often site-specific; working with partner agencies and in collaboration with other artists, film makers, dancers, photographers, actors, storytellers, historians/museums, youth workers, musicians, psychologists, woodlanders, environmental experts, 3D makers and festival entertainment/event organisers. Jo is a registered artist with DAISI – Devon Arts In Schools Initiative.
Most recent and current themes of collaborative work include;
RESEARCH/DEVELOPMENT/LIFE TRANSITIONS/ART PROCESS/PSYCHOLOGICAL PROCESS/PROJECTION/PHOTOGRAPHY/NATURE CONNECTION/SOLAR ENERGY
Jo received a year’s part-time funding from a private benefactor between April 2016-2017. As a result of this funding Jo developed an art process for use during periods of life transition –
AN INVITATION TO THOSE WHO FIND THEMSELVES AT A POINT OF CHANGE IN LIFE AND WANT SOMEWHERE TO MARK, LEGITIMISE OR PROCESS THIS. IT IS ALSO AN INVITATION TO THOSE WHO MAY FEEL A SIGNIFICANT INTERNAL SHIFT (MAYBE IN A PERIOD OF DEPRESSION OR ANXIETY) BUT CANT NECESSARILY IDENTIFY WHAT THIS IS OTHER THAN REALISING THAT THEIR PREVIOUS WAY OF FUNCTIONING ISN’T WORKING FOR THEM ANYMORE.
HIGH NOON GIVES SPACE AND FORM TO THIS PROCESS AND RECOGNISES DIFFERENCE AS WELL AS COMMON THEMES OF LIFE TRANSITION. HIGH NOON ISN’T A TALKING THERAPY BUT AN ART PROCESS THAT DRAWS ON OFTEN DISUSED WAYS OF SEEING AND BEING; WHICH HELP WHEN ACCLIMATISING TO THE UNFAMILIAR TERRITORY OF CHANGE. THIS TWELVE-HOUR EXPERIENCE OFFERS A SAFE SPACE FOR INDIVIDUALS TO JOURNEY WITH OTHERS THROUGH THIS PROCESS IN A SMALL GROUP SETTING (max 6) IN A PRIVATE WOODLAND SETTING – STARTING AT MIDDAY AND ENDING AT MIDNIGHT.
The work is influenced by the theories of depth psychologists such as Carl Jung, Thomas Moore, Clarissa Pincola Estes and James Hollis alongside writers such Sharon Blackie and Mary Oliver, wilderness guides such Bill Plotkin and Martin Shaw and artists in the Social Sculpture discipline such as Joseph Beuys and Shelley Sacks.
Since the summer 2016, much of the work has involved working with women in a rural setting. Jo is now collaborating with psychologist Jonathan Stott in order to develop a stronger psychological base for the process and, together they are developing High Noon to include any gender and to provide urban opportunities for people to become introduced to the idea of ‘marking transitions’.
An exhibition/event exploring the work and themes of High Noon was recently shown at the Create Centre, Spike Island, Bristol from 12/05/18 until 23/05/18. Due to requests for more, similar opportunities in urban settings; High Noon will be running further events in the coming year as well as the ongoing High Noon – Woodland events.
See ‘High Noon – Woodland’ and ‘High Noon – Events/exhibitions’ for further details.
Jo is a Bristol-based artist who moved to the city in October 2015 having spent 7 years living on the coast in North Devon. As location and landscape is an important part of her work – the name ‘Chalkblack’ referring to the geology of her home town Portsmouth where exposed areas of chalk greet those arriving along the coast line, and the geology of North Devon’s Atlantic coast line where Bideford Black can be found in coastal rock formations. Chalk and Black represent the geographic and psychological transition she made leaving one place for another. She often uses these materials in her work for this reason.
She is registered self employed as an artist and performer, has a current DBS certificate for working with vulnerable adults and children and has public liability insurance.
Jo has a network of creative contacts across the UK who she is able to bring onboard for specific projects that need specialist knowledge and experience.